12/18 p2

Ko Wan p44 Tzara — Burroughs Ticket — just found a copy p65

a writing machine that shifts one half one text and / to make a dadaist poem take a newspaper take a / half the other through a page frame on conveyor belts / pair of scissors choose an article as long as you / (the proportion of half one text half the other is important / are planning to make your poem cut out the article / corresponding as it does to the two halves of the / then cut out each of the words that make up / human organism) Shakespeare Rimbaud etc permuting through page frames in / this article and put them in a bag shake it / constantly changing juxtaposition the machine spits out books and plays / gently then take out the scraps one after the other / and poems the spectator are invited to feed into the / in the order in which they left the bag copy / machine any pages of their own text in fifty-fifty juxtaposition / conscientiously the poem will be like you and here you / with any author of their choice any pages of their / are a writer infinitely original and endowed with a sensibility / choice and provided with the result in a few minutes / that is charming though beyond the understanding of the vulgar

scream dream — a poem 30 meters long — (why meters why 30
    ream      reams of paper
realms of
torn papercollage (CB)
in her
collage of dreams
seams
seems
(this page is 3033     perhaps that is where the 30 came from

also thinking 33)pages in time
in   me

ages Kim is 30 word lines 30 meters
(metric   poetry   meter) polymorphic
polysemous
(poly cyclops) the eye
the eyes — lines from a pornographic novel — a texture of texts —
meanings — sounds
long poem written across the bottom of book pages (Butor on books) — multi layered texts — drawing one page / text on another etc

sequences within sequences — juxtaposition of text

texture of text — intertwine

inter leaf

intercourse
enter coarse     hoarse
hearse
horse