6/7 p2

the best of the shadow pieces — again the question of the roughness of the pieces — but they seem right or suitable in this piece — when a piece can be changed how does one hold certain ones — already I want to build a second to ‘play’ with so that I don’t disturb the first — but how does one (do I) know that others might be better — why hold onto one

<9/24/21
these pieces were also not good — not what i visualized>

left right movements confuse the flow of pages — break the linear ideas — I tend to hold back — hold time — which I don’t want to do

photographs etc — the movie or video vs the still image — the pose
static sculpture as opposed to — (life processes)
nothing stays — oh weh oh weh
yellow flowers — plants moving in the cool breeze
purple chives
balance page — with the breeze
indications of sequence

1988-27
refers to the fact that the dual page spread begins and ends with cool breeze

the use of instruction sets with changeable art — this would require more precise components than I have been using

seeds from the cottonwood trees — summer snow

sculpture that sits in front of a wall — not reliefed from the wall —

or sculpture with a flat backing — ‘paintings’ with two sides — the idea of painting with objects a collection of objects that only I can have — or a museum
meanings and questions of meaning

museums
measure
meaning