10/14 p2

the difference[s] between seeing and experiencing architecture — to go to a city and photograph a building would be useless because the photographs already exist and could be experienced ‘here’


a ‘drip’ painting or something highly textured — or a stain painting overlaid by a geometric painting
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try to think in terms of events — even if no one attends — put together a ‘show’ at the tortoise house to <?> phase — ‘good will’ show maybe — put together some photographs —

video — start making random video tapes — studies or whatever —

maybe start with ‘heart’ stuff — or with the fuck up pieces from the home videos — just string them together and apply different effects
RENE
THOM
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p 132 on “passe partout” <?>
this is the necessary space in my modular ideas
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i am really liking the eisenman book — thinking of it as the best book in my collection —

to do something like this but in a <?> sentence/paragraph structure


POB — point of beginning —
different senses of ‘point’ —
what is the point of beginning —


deleuze p152

“i don’t like points. To conclude (faire le point) seems stupid to me. It is not the line that is between two points, but the point that is at the intersection of several lines.”


POI — point[s] of intersection TADAO
ANDO

oct 2006
point[s] of beginning
what is the point of anything
what is the point of nothing
what is my point
the intersection of
the beginning and the end

the intersection of
many lines [of text]
10/06-14
not sure what this means / meant