7/19 p2

go back to my writing experiments — and the alterable art that i used to do — the black and white idea can be redone —

PHOTOS of pine wood patterns a couple of days ago — biomorphs —

WEB — changing photos often — sites are too static (even when they are in motion) but there is not enough time —
*the web site as the art work*

VIDEO — do some geometry CHANGING FRAME BY FRAME — SINGLE IMAGES VS MOTION — VIDEO

HOUSE — continuous changes — the work site look that i like — but i’ve grown tired of in this house —

PROJECTS — <i> make lists over and over — can’t organize and there are no priorities — it’s not that i can’t prioritize it’s that there are no priorities — there is no order of things — and it’s difficult to be arbitrary — pick a project at random — use some sort of weighted system — maybe give priority to projects that are almost done — or seem most important an any given time — make a comprehensive list and add to it each day —

ART assemblages — frames & modules — a large framework that pieces could be put in or taken out — modules that change
final state ? — when sold — do i want to ‘sell’ the art or should i avoid that aspect —
selling is often just a way of ‘showing’ the work —
justification —
but there is also a pleasure in keeping things — (artists who have a hard time letting works go — whistler - rembrandt —)

doing the same work over and over again — i think of the galveston work idea — the seashells — make a grid and photograph it — keep changing and rephotographing — change one grid cell at at time —

digital change or physical change —